I have just acquired a copy of this book from a second-hand bookseller, and am astonished to find that it's out of print and there has apparently never been a paperback edition. I followed the Strangler case as each new murder was reported in the UK press, and it remains the archetypal horror story for me because it proves conclusively that one isn't safe even (above all) at home. I also read Gerold Frank's account of the affair very soon after it was published in the UK and re-read it last year; I have the "confessions of the Boston Strangler" in French translation.I have never been even half-way convinced that DeSalvo was guilty, and I always doubted that only one killer was involved. (The "psychological explanation" cited by Frank as to why the killer suddenly switched from older to younger women struck me as perfectly ludicrous 30 years ago, and many recent books on profiling have merely strengthened this view).

It would be easy enough to write a book which simply challenged the official solution, but that is not what Susan Kelly does. She provides overwhelming evidence not only to demolish it, but also to explain how and why it came about in the first place. This is a book with an index, a bibliography, acknowledgments which help the reader by indicating the author's sources (most acknowledgments seem only to explain who made the coffee and watered the plants while a book was being written) and careful indications of when exact quotations from transcripts are being used. It assumes no previous knowledge of the case or the "cast", and its procedural details are much clearer than Frank's. Also, Susan Kelly is literate, and she has a dry, ironic sense of humour.

I checked the book's listing in Amazon because I wanted to know what other people thought of it. I had hoped that, unbeknown to me, the Boston Strangler affair had been rewritten and DeSalvo belatedly exonerated. Apparently this is not so. I would be interested to know if anyone (apart perhaps from F. Lee Bailey, Esq.) has challenged Kelly's arguments and, if so, on what basis - though I doubt whether that could be done. If it can't, I hope the book will soon be reissued and properly publicised. It would also be interesting to have someone re-open the only murder case in which DeSalvo was certainly involved - his own.

I was barely a teen in the Boston area when The Boston Strangler murders started. Recently DeSalvo's family asked to have the case reopened, no doubt due in part to this book. Their request prompted me to find more info, if any, about this case and I found this book in a library. Could not put it down. Expected the usual fact-packed but dry true crime book. Kelly has not only written a very readable and entertaining book, she has also made her case, namely, that there was more than one "Boston Strangler," and that DeSalvo was not one of them. Who some of the Stranglers might have been makes for a chilling surprise I won't give away here. Also, it provides a fascinating glimpse into the early career of F. Lee Bailey. Wish I could buy this book. It's a keeper.

I read this book several years ago--and I am shocked to see it is no longer available. This is the definitive examination of the case: author Kelly looks at all the evidence, the sensationalism, and DeSalvo himself, with a scholar's objective eye. Her conclusions are disturbing and cannot be ignored. If you want to have a genuine sense of the terror in Boston from those days, this is the book. Some publisher ought to put this book out and give it the attention it so deserves.

"Jean Henry blends fact with fiction in this exciting debut novel of the end of the outlaw era, and the first stirrings of love."

"Jean Henry's Escape on the Wind is a powerful story of a young woman hiding her identity from outlaws. The author writes lyrically of Wyoming, settlers, and the rough men who ran wild on the frontier. The author brings courage, conviction, grace and spiritual beauty to this fine story."

Moving as quickly as the wind sweeping the vast plains of Wyoming, ESCAPE ON THE WIND by Jean Henry lends drama to the historical legends of Wyoming, creating an extraordinarily vivid account of the days when posses persued bank robbers.

Andrea Bordeaux lives with her grandparents in Wyoming. When outlaws arrive, her grandmother quickly shears Andrea's hair, puts her in overalls, and calls her Andy, hoping to protect her. Unfortunately, when the outlaws leave, they take Andy with them. Certain her grandparents are dying, Andy finds herself thrust into the midst of Wild Bunch members who take her to the Hole-in-The-Wall, where they plan the Belle Fourche Bank Robbery.

Small in stature, Andy finds herself relegated to cooking for the outlaws. Only Billy knows the truth of her sex, and she's sworn him to secrecy. Andy tries to reform Billy between cooking and cleaning. Following an attack by a vicious outlaw intent on carving her face, Butch Cassidy himself promises she can go home after their planned bank job. Meanwhile, the Five-State Governor's Pact determines to rid Wyoming of outlaws, while Andy wants nothing but to go home; that is, if she still has a home to go to.

ESCAPE THE WIND provides a fascinating glimpse into the legendary outlaws of Wyoming. Jean Henry's remarkably fresh voice tells a compelling story that's hard to put down. Historical fans will thoroughly enjoy this visit to the Hole-in-the-Wall gang.

The detectives in toga are back! Ever read the first one? You should; this is a rare things: a sequal as good as the original.

This time, it's Caius that's in trouble (read the book to find out just how and why). It all started when the boys decided to buy their teacher a birthday present, and got him (they think) a deaf and dumb slave named Udo. That's just the start of their troubles, because Udo is more than he seems, and they suddenly find themselves in a web of intrigue and murder, when they stumble on a plot to assassinate a famous senator. It could be one of their fathers!

In this novel, we learn more about the boys, as they display their loyalty and courage. Caius, for one, isn't the same brawny wannabe Hercules he was in the last one, but shows his brave side.

It all takes the same wit, hair breath'd escapes, razor-sharp logic and good sense and you have yourself another wonderful novel!

The Mystery of the Roman Ransom was one of the best books I have ever read. One of the reasons it was so good was that it had a huge amount of mystery and suspense. It was also very good because it got you interested in the story right away. I also found the story engaging because the main characters were about my age. The main characters are seven rich Roman boys and their tutor Xanthos. In the beginning of the book, which is set in ancient Rome, the boys give Xanthos a slave for his 50th birthday, but he is very angry, so the boys must keep the slave. Through him they find out that one of their fathers is going to be murdered. Their fathers are very important senators who run the government. The plot of the book is trying to find and prevent the assassin(s) from killing Cacius's father. The boys' very realistic adventure in ships, houses and through alleys of Rome help them gain courage. The boys are very clever because they have to figure out who is going to murder Cacius's father. Their bravery helped them get through every dangerous task set before them. The only downside to this book is that there is hardly any historical information in it. It is a really great book.

I liked it cause it was in depth. They told all about the characters then they told the story.

I ordered this book to use as a read aloud with my fifth grade's class study of the Civil War. Little did I know that it would be a valuable tool for teaching point of view. This is a wonderfully suspenseful short of a young slave's escape through the woods on his way to the first stop on the Underground Railroad. What makes this story unique is that it is told from the forest animals' perspective. Well written, well illustrated, and destined to become a classic. Wendy

As a fifth grade teacher, I am always looking for a book to entice my students and help them to gain background knowledge. This book is a phenomenal find. It puts the reader/listener right into the fear and terror of being a runaway slave from the very first sentence. But, more than that, is the unique way the author has chosen to present the story. I can think of no better book to present the topic of point of view. Not only is the story told from the point of view of the forest animals that the runaway encounters, but the illustrations NEVER alter the affect. Each picture shows the runaway from the eye level/view of the animal that is reacting to his presence. It is a very powerful book.

This story has generated intense discussions as to whether or not they believe the animals consciously helped the barefoot escape the heavy boots, or whether the occurrences were merely coincidental. The students embrace the tone of the book and will often discuss how they originally did not care for the illustrations because they were too dark and made it difficult to see the details, but soon realized that they mimic what the barefoot is seeing -- a potent tool in immersing them in the story.

The students were so enthralled by the way the point of view of the story was presented that they asked to write their own stories based on the point of view of our classroom pet, S'mores the Guinea Pig. Some choose to write from their own pet's point of view. Each and every one of the stories were wonderful to read, and though some may have been lacking in conventions and spelling, EVERY one of them shouted with an author's voice that was astounding.

This beautifully illustrated story of the Underground Railroad is written so even second and third grade students can read it. In spite of the fact they are too young to understand the complex problem of slavery and the Underground Railroad, this is a wonderful introduction to those sensitive issues. At the same time, older elementary students find is very appealing.

From the first page, students will be fascinated by the story and the pictures. As I shared it with students in the school library, they sat in suspense. Who is Barefoot? Where is he going? Why is is running at night? What are the noises he hears? Will the house be safe? How will be know?

I highly recommend that the book be used by an adult who can answer the questions which may arise when the book ends. This is a book which should be on the shelves in every schol library in the country.

I recommend that you do not read the back cover of this book before you read the book itself: it gives away too much and frames things incorrectly as well. And obviously you ought to read this book! Henry Green is a jazzy Jane Austen, more Monk than Mozart. He's got quite the sense of humor. People at parties asked him what he was writing and he'd say, "Nothing." Many of his novels have gerund titles-- _Loving_, _Living_, _Doting_-- but "nothing" isn't a verb. Or is it? Do people "nothing" their lives away? Well I won't attempt to explain the significance of the title, but-- as I gave away-- this really is a book about everything. Through conversation caught in painfully beautiful rhythms, we can learn a lot about the tragi-comedy that is life as we follow characters who seem to be recorded more than created. These are not bad people. But Green's prose doesn't exactly let them off the hook. You might laugh or shudder, or do both at the same time. But something very serious is at stake here. People meet, eat, drink, gossip, are cruel, are insecure, but beyond appetite and role-playing is there anything to it--or is it all nothing? Perhaps you too will be shocked that any author could be as good as Henry Green.

The British writer Henry Green's literary skill went far beyond a comedy of manners, which this book appears to be on the surface. Dense with meaning, "Nothing" is a short literary gem, which forces the reader to read a million nuances into the witty and yet deeply dense conversations which make up the entirety of the book. The story is set in 1948 and follows John and Jane, now middle aged but still reminiscing about an affair they had many years before when they were still married. They both have new relationships, Liz and Richard, but still see each other frequently for meals or for tea. Their respective children, Mary and Philip, are now grown and want to marry. But of course there are complications.

The world that the author creates for the reader is a very British one. The dialogue is precise but filled with hidden meanings, as what is unsaid is often even more important than what is said. There's a wonderful symmetrical balance in each of the conversations as well as in the structure of the book. The characters speak for themselves, with very little description, and, through their words alone, the twists and turns of the story emerge, the sounds of their voices echoing on the pages. The question of what really happened and is happening is always just beyond our reach, and the even though the characters might be moved around like chess pieces at the author's whim, they never do change or gain insight into their behavior. Surprisingly, this is still an amazingly satisfying read, as if is the reader himself or herself who gets to experience their world and gain insight into the inevitability of the conclusion. This book is a delightful read and a real treat. I highly recommend it.

With a little patience, the reader will quickly adjust to the rhythms of one of English literature's most unique, and until recently, nearly forgotten novelists; and in the process enjoy an utterly and unabashedly charming and delightful novel. Years after having an affair that almost ruined their respective marriages, Jane Weatherby and John Pomfret are reunited when their children decide to get married despite questions regarding their possible kinship and the fact that they have almost no money to their name. Afraid that Mary Pomfret and Philip Weatherby are destined for the working-class, Jane and John attempt to stall the development of the wedding plans by having endlessly witty conversations about, well, nothing. This gives Jane -- a shrewd, resourceful widow -- the opportunity to embark on a scheme to lure John away from his current love interest. As the plot advances through discussions filled with misdirections and omissions, Green demonstrates that there is nothing like the spoken word to conceal one's true intentions, yet at the same time reveal everything. One of Green's final novels, Nothing is a worthy addition to the varied tradition of English literature that includes Virginia Woolf and Evelyn Waugh. Fans of Austen, Forster, and Wharton should also be rewarded. Green's masterful description of the novel's centerpiece alone -- an as-if-you-were-there party -- is worth the price of purchase.

Henry Beston on the trail of Thoreau's great hike along the cape stays to capture if he can "the very psyche of animals" and rises to metaphysical levels with the greatest command of the English language. Nature exists, he finds, and "creation is here and now." Everything acts, and acts characteristically, and in detailing their interactions he discovers that he is in them also. Outermost house leads inevitably to innermost house.

I had never heard of Henry Beston until a friend lent me--or, more accurately, pressed on me--his copy of The Outermost House. After reading this book, I understand his sense of urgency: this is a work of unique and lasting beauty, surely one of the greatest nature books ever written. In detailing his year in his cottage at Eastham Beach (now Coast Guard Beach) on the Atlantic side of Cape Cod, Beston combines a Thoreauvian zeal for nature and the examined life with a Proustian ability to record exactly the sight, sound, feel and scent of the world around him. Page after page is filled with unforgettable passages; his descriptions of the markings and songs of the shore birds alone are enough to move you to tears. His story of the plight of a doe caught in an icy flood is almost as suspenseful as a Hitchcock movie; his tribute to the courage of the Coast Guard "surfmen" who rescue shipwrecked sailors is particularly resonant to us who--after Sept. 11, 2001--have learned something about the value of those who safeguard the public. Beston is so quotable a writer that I'm shocked he's not better known. A few quotes should demonstrate:
"Nature is a part of our humanity, and without some awareness and experience of that divine mystery man ceases to be man."
"Man can be either less than man or more than man, and both are monsters, the last more dread."
"Poor body, time and the long years were the first tailors to teach you the merciful use of clothes! Though some scold today because you are too much seen, to my mind, you are not seen fully enough or often enough when you are beautiful."
"Poetry is as necessary to comprehension as science. It is as impossible to live without reverence as it is without joy."
Henry Beston found urban life insupportable in the mid-1920s; who could know the dismay he would feel in 2002, when computers, television and jet planes make the world pass in a blur! Beston is out to teach us how to slow down, to learn to live again according to the patterns and rhythms of nature. For those who are willing to read and understand, The Outermost House remains a haven of peace and beauty.

The Outermost House is a classic, not just of natural history literature, but of American literature. If you love the outdoors, or the sea, or prose that flows like poetry, you should keep this small book always nearby. The harried introvert will especially appreciate it: reading even a page or two will transport you to a quiet place where the wind through the dune grass is the only sound that strikes your ear.

In addition to being a great writer, Beston is an acute observer biological phenomena, and not a bad theorist either. His discourse on the relationship other animals bear to us ("They are not brethren, they are not underlings; they are other nations...") does more to unlink the Great Chain of Being than any philosophical essay. And Beston's influence has been wide-ranging, not only among natural history writers, but among writers in general: unless I am mistaken, The Outermost House is one of the sources for the "Dry Salvages" section of T.S. Eliot's Four Quartets. (If no one else has noticed that before, I want coauthorship on the paper!)

Some books are so memorable that parts of them become internalized on first reading. The first time I read The Outermost House, its final sentence -- as graceful an example of polysyndeton as you will find in English -- became mine. Now, I pass it on to you: "For the gifts of life are the earth's, and they are given to all, and they are the songs of birds at daybreak, Orion and the Bear, and dawn seen over ocean from the beach."

"The Hunting of the Snark" is a brilliant nonsense-poem. Yet Gardner has seen fit to put pretentious, geeky, ...pedantic annotations all over it. Now I like nonsense, but the vulgarly rational "sense" of some of these annotations irritates me. Do we really need to know that the word "BOMB" begins and ends with B (thereby relating it to the Boojum) and that OM is the Hindu name of God??? Do we really need to know of a political cartoon in which Kruschev says "BOO", and does Gardner have to tell us that he was trying to say Boojum??

Annotations should be done in the manner of Gardner's own annotations of Alice in Wonderland. Now those were annotations that made *sense*. Annotations that simply explained out of date concepts, gave relevant details from Carroll's own life, or obscure humour. That's all! That is what annotations should be like.

The pedantic geekery of these annotations remind me of the...games of Star Trek fanatics (or Sherlock Holmes fanatics).

The poem is brilliant, though; and the illustrations were funny, before the annotations over-analysed them.

Lewis Carroll is brilliant in this piece. First of all the poetical music is perfect, absolutely perfect, and yet the words don't mean much. Many of these words are not even to be found in any dictionary. Be it only for the music, this piece is astonishingly good. But the piece has a meaning. I will not enter the numerical value of the numbers used in the poem : 3, 42, 6, 7, 20, 10, 992, 8, and I am inclined to say etc because some are more or less hidden here and there in the lines. Hunting for these numbers is like hunting for the snark, an illusion. But the general meaning of the poem is a great allegory to social and political life. A society, any society gives itself an aim, a target, a purpose and everyone is running after it without even knowing what it is. What is important in society is not what you are running after or striving for, but only the running and the striving. Lewis Carroll is thus extremely modern in this total lack of illusions about society, social life and politics : just wave a flag of any kind, or anything that can be used as a flag and can be waved, in front of the noses of people and they will run after it or run in the direction it indicates. They love roadsigns and social life is a set of roadsigns telling you where to go. Everyone goes there, except of course the roadsigns themselves who never go in the direction they indicate. Lewis Carroll is thus the first post-modern poet of the twenty-first century. He just lived a little bit too early.

Dr Jacques COULARDEAU

I am a fan of Lewis Carroll, but somehow was unaware of the existence of an edition of "The Hunting of the Snark" with annotations. As someone who tremendously enjoys Martin Gardner's "Annotated Alice," I heartily recommend this book to like-minded readers. Gardner's annotations and introduction set the stage for the reader, putting the composition of the poem in its proper context in Victorian England, and in Lewis Carroll's life. And as with "Annotated Alice" the annotations are fascinating and amusing in their own right. "The Hunting of the Snark" is one of Carroll's lesser-appreciated (or at least lesser-known) works, and this paperback is an excellent introduction.

I noticed some confusion in the Amazon listings for this book, so let me clarify that the edition with Gardner's annotations is the paperback, and for illustrations it contains reproductions of Henry Holiday's original woodcuts from the 1800's. There are only eight pictures, and these are in old-fashioned style which may turn off some modern readers. This edition does not contain the illustrations - listed in the review of the hardcover editions - by Jonathan Dixon, nor the illustrations by Mervyn Peake also listed as available in hardcover from Amazon.

To Snark fans, though, I would unhesitatingly recommend both those editions as well. Dixon's is little-known, but excellent, the most profusely illustrated Snark, with pictures on every page in lush, gorgeously detailed and humorous pen and ink. It may still be available through the website of the Lewis Carroll Society of North America, who published it in a small edition. Peake's drawings are also in beautiful black and white, and capture his own rather dark, quirky "Gormenghast" take on the poem. (A good companion, too, to the recently released editions of "Alice" with Peake's drawings.)

I have actually just begun to read the book as I became interested in this particular book very recently -- my family grew up in the same neighborhood as Yvonne Johnson and I felt compelled to read the book. I recall certain incidents from childhood such as her father on the front porch lining up all the children &(drunk) screaming "Indians on the Warpath" and one time grabbing my own sister off her bike, throwing her down (mistaking her for Yvonne) and then having to apologize profusely (he was drunk that time also)to my family. I recall her oldest brother dying while in the county jail, how my mother had him at times mow our lawns & we recalled how sad that time was, how the youngest, Perry, looked like a female with the long flowing hair (he had the lightest coloring), the girls Karen, Sharon, Kathy, Yvonne, how the Mother drove truck--the hard-scrabble life they led--I am sure it took a tremendous amount of courage to write this book, I recalled how she struggled with her speech, etc and how people could be mean to her.

I just finished the book about Yvonne and her hardships. I read it in Norwegian, but that did not diminish the affect it had on me. It's unbelievable what some people have to go through, without anyone doing something about it. And then actually surviving it all, amazing!
She said it herself in the book that people who have been through hard experiences easier can understand what others have to struggle with. And being as she is a Medicine Woman it is in her blood to try and help, wherever possible.
It is also a startling report on how the Natives are still treated in both America and Canada. One can only hope that books like this can help open at least a few peoples eyes...

Tansi,

I come from a small reserve in northern Manitoba. What I read in "Journey of a Cree Woman" was unbelievable. I cannot believe how many hardships this woman had to go through, and yet she still continues on. This book really opened my eyes as to what other women go through . This book touched my heart and many times I got shivers down my back. This book is an awesome book, that I recommend especially for women. There are many good things I could say about this book, but there is a limit. I commend Rudy on his awesome work and continuied support with Yvonne. I commend Yvonne for sharing her story with us as it is not easy to tell a story that is nothing but the truth!

As a child I fell in love with the actress Julie Andrews in Mary Poppins and The Sound of Music. Still an outstanding actress, I enjoyed her recent Princess Diaries, I am continually amazed at her abilities. If singing like a nightingale and acting weren't enough, she has also proven to be equally talented as an author! My eleven year daughter bought Little Bo two years ago with her hard earned allowance money. She couldn't put it down then and frequently goes back to enjoy it over again. She is currently reading it to her five year old sister who can't wait for bedtime now since she so enjoys her bedime story. The only problem is that their eight year old brother runs off with it at the most inopportune times thus wreaking havok! He thought if he could sneak away and read it in hiding no one would tease him. Boys who are almost nine are only supposed to read cool stuff, you know. He, too, found Little Bo irresistable and no longer even tries to hide it. I'm beginning to wonder if Mary Poppins wasn't really a fictional character at all but a chapter in Julie Andrews life. Don't stop now Ms. Andrews. We love you!

Bonnie Boadicea "Bo" is a little kitten born into a family with a loving mother and father, but not to kind owners. She is the runt of the litter, and doesn't eat much due to her small size. Her father loves her, and to make her feel special gives her a big name, but calls her "Bo" for short.

One day it is time for the kittens to leave their mother, and the nice warm house. They realize that they are going to be hurt unless they escape from Mr. Withers, who was supposed to take them to the pet shop. So all the kittens run in different directions, and are soon scared, wet and hungry.

Bo meets a nice sailor and gets into all kinds of mischief with him on the boat he works on, and is soon a sailing cat with a nice home and a kind owner.

This is a must read children's book that anyone, young or old, would enjoy.

The CD/book edition of _Little Bo_ is a must for young children. Julie Andrews Edwards reads as well as she sings. This edition adds much to the written text. The CD can be used as a series of short readings. The conclusion of each chapter is accompanied by gentle music that tells the child or parent that there is a natural break. The author researched the book well, and the portions of the book that take place on a fishing boat during a severe storm are very plausible. Henry Cole's soft drawings do much to convey the flavor of the story.

Bo, the kitten, and her siblings were sent away during a snow storm by the owner because their sire was an alley cat. Bo finds a friend in Billy Bates, a sailor aboard a fishing boat. Bo survives a severe storm and the dislike of the boat captain. Billy and Bo leave the boat to find new lives for themselves.

Illustrated by Peter Fiore and edited by Steven Schnur, Henry David's House introduces young readers ages 5 to 9 to the life, thought and writings of Henry David Thoreau. Text and illustration collaborate to showcase the beauty, power and subtlety of solitary living withing the context of a nature-oriented retreat as represented by Thoreau's tiny house in the woods and on the shore of Walden Pond. Henry David's House is an enthusiastically recommended addition to school and community picturebook collections.

"Near the end of March I borrowed an axe and went down to the woods by Walden Pond and began to cut down some tall white pines for timber..." Author, Steven Schnur has chosen several wonderfully engaging passages from Henry David Thoreau's Walden, in this elegant picture book, and young readers will really get a vivid sense of the hard, yet rewarding work of building his house, the few possessions needed to live comfortably, the beauty of the changing seasons, and living the simple life in harmony with nature. "Sometimes, in a summer morning, having taken my accustomed bath, I sat in my sunny doorway from sunrise till noon, rapt in a revery, amidst the pines and hickories and sumachs, in undisturbed solitude and stillness, while the birds sang around or flitted noiseless through the house, until by the sun falling in at my west window, or the noise of some traveller's wagon on the distant highway, I was reminded of the lapse of time." Peter Fiore's lush and exquisite watercolor illustrations bring the splendor of Thoreau's existence at Walden Pond to life on the page, and together word and art evoke feelings of peace, quiet, and contentment. Perfect for readers 8-12, this book works well as a real aloud with D.B. Johnson's Henry Builds a Cabin, for younger children. With an editor's note at the end to fill in further biographical details about Thoreau and his time at Walden, Henry David's House is an evocative treasure to read, share, and most of all discuss. "We can never have enough of Nature."

Henry David's House is a picturebook adaptation by Steven Schnur of a part of Henry David Thoreau's classic nature book "Walden", told with only a limited amount of editing. Beautiful, slightly abstract yet full-color illustrations by Peter Fiore bring this classic thinker's words to vibrant life for young readers. Henry David's House is a superb introduction to a literary masterpiece for young readers, and its final message, "We can never have enough of Nature," reverberates in the hearts of all ages. Highly recommended for family, school, and community library picturebook collections.